Saturday, January 29, 2011

EGYPT AND THE INTERNET

Dear readers,

This isn't an official posting or a report per se, but more of an awareness spreading.


Some of you may already know what has happened to Egypt, and the incredible thing the Mubarak government has done there. If it were done here in Malaysia, for starters, you wouldn't be reading this post.


If you want to find out more about the impact CUTTING OFF 90% OF EGYPT'S INTERNET, cultural, economical, social, that can be easily sought in your local news website or newspaper.


But if you wanna' know HOW DID EGYPT DO IT, you can check it with this website:



http://gizmodo.com/5746121/how-egypt-turned-off-the-internet?skyline=true&s=i


And here's an interesting follow-up, COULD EARTH'S ONLY SUPERPOWER GOVERNMENT DO THAT AS WELL:


I'll be honest, me posting this and giving you guys a fresh perspective of things isn't going to really change the sour relationship between Egypt's government and Egypt's people, or even strengthen your bonds with your ideals or peers.


But it's crucial that when this kind of shit happens, one must be aware, and to some extent, be prepared:



Mentally (do you cry when you break your Iphone?)


Pragmatically (a close-by DVD shop when the film you're downloading freezes?)


Idealistically (Julian Assange???)



Either way, the truth hurts, but you must allow the truth to set you free. May the Egyptian government see the same.


Sincerely,
Lee Zhi-Li

Tuesday, January 25, 2011

Jit & Jo in Leonardo's



Dear readers,


Have you ever been curious at how creativity works? How stand up comedians can say things in the most matter-of-fact shit but still you end up shitting from all your laughing?


Certainly creativity in Malaysia is a struggle sometimes, both in using it as a career & as a way to not get bored and commit suicide.


A lawyer named Edward Soo decided to change that with Leonardo's Dining Room & Wine Loft (http://leonardos.my/index.asp), a restaurant in Jalan Bangkung. They were in the news recently for 'going beyond good food', and having a few arts-related events, to promote a more knowledgeable, more vibrant arts-loving community.


I was called up by the Instant Cafe Theatre Company (http://www.instantcafetheatre.com/) to help out with front-of-house for the latest event in Leonardo's, 'CHAI's the Art Instinct Series 2011: Ep 1 Jit Murad and Jo Kukathas'. It happened on 25th Jan 2011 and it's a series about the arts & intellectuals talking about the art instinct & what it means to be creative.




You can read some books there, and yes, that adorable stuffed dog is smarter than you.


I brought along my good friend Joel Peh, who funny enough, approached me about this event before I did. BTW, he's a business student but he's always looking out for the next big arts event, so kudos to him.



This is Joel. Wait, shouldn't I be over there working?



If you're a longtime ICT fan, you'd probably know that they have regular events like this one in CHAI (Instant Cafe House of Arts & Ideas), their HQ & Jo's evil lair. I'd day it was a good idea that this collaboration happened as it allows CHAI to bring what it does to other places.


But have I mentioned the food? Now for a cover charge of RM10, every viewer that came in got a glass of punch & canapes, but what glorious surprises they were.


Here's a little list of the little delectable canapes: veggie pizza (delicious mushrooms), Hawaiian Chicken & Pineapple Kebab (the barbecue sauce brought everything together), etc.




I apologize for the poor image quality, but from left to right: the kebabs; Faberge Eggs; dumplings; glasses of punch



& my personal favorite, the Fabarge eggs. Get this: grapes coated with fruit cheese and toasted pistachios. It sounds bonkers, but it was my culinary surprise of the year, & yes, it's only January, but everything about it was melt-in-your-mouth.



So after me & Joel stuffed our faces (& worked the FOH) a bit, ICT's program coordinator, Rahel Joseph (sorry Rahel, forgot to snap a pic of you!), first introduced us to veteran playwright, actor & comedian, Jit Murad. I don't know him personally but he's written many Malaysian plays such as Visits & Goldrain & Hailstones. And he talked about the creative impulse, & how his life relates to it.




"Despite my humility, which is awesome, I'm intrigued by myself,"



& Mr. Jit does have an interesting life macam giler, the man studies Sociology & ended up a playwright, my goodness! He narrates a surprisingly large amount of his life and how it made him the man he is today. He told the audience how when he was a young boy, he made a lot of little children's books, and one of which was a tornado that he drew & a star he drew next in the tornado, as the tornado felt lonely. It's the little things that counts you know?


One of the quotes he said that I jotted down but didn't fully grasp at first was, "I like to know what I like to think about things," If my inferior brain can comprehend, he's stating that it's important to get your thoughts down, & understand how they are to you and your world, like actually writing that script instead of keeping it in locked doors.


Next up is the Jo Kukathas, artistic director of ICT, actress for many iconic roles such as the YB, Ribena Berry, which appeared in shows like 1Sex. 1Money 1Scandal. The Virus Returns & many other works of satire with equally long titles.




Sharon Nelson was Jo's ex-Eng. Literature student, and she intro-ed her up.



Like Jit, Jo had some stories of her own, & she opened with one about a baby and an electric socket. She states that you could tell a baby a thousand times, 'no, don't put your fingers into the socket holes even though it looks as if you can!', but they will still want to try, it's only when they try it then they can hold the power of decision-making in their little soft hands.

She elaborated further about how scientists and artist are like this curious baby, trying to make sense of things and making up stories, even saying that scientific reports are simply stories written in a scientific fashion.



"You may be a banker, but you may have a soul of a poet,"

Jo also expressed worry that creativity may be exploited in the wrong way, particularly in being too results-oriented. She had an analogy that students in these modern times are like cars; how much to the gallon for its mileage, some may ask?


She insists that being too results-orientated when it comes to the application of creativity stifles creativity. I myself see that it runs the risk of the employee kissing the ass of the employer just to please the hand that feeds. If that's creativity, that employee needs to rethink his life for awhile.

& probably the strangest story told tonight was about her father, the writer K. Das telling her about the story of Mehitabel the cat and Archy the cockroach, especially since Jo is scared of cockroaches. K. Das explains to a younger Jo that Archy's previous life was a poet, but him being reincarnated as a roach gave him so much more NEED to write.

Me and Joel passed to everyone a poem 'the life of mehitabel the cat' that Archy wrote, about how Mehitabel was once Cleopatra, and even though she's now a cat, she still has that spirit of a queen in her, 'toujours gai my kiddo toujours gai'. That spirit inspired Archy the NEED to write.


As a final hurrah, everyone got a copy of John Tusa's two quotes on creativity, as a way to close the talk.


This blog is dedicated to Jit, Jo and Edward Soo.

But wait! There was a Q&A session! And that's when I noticed in the crowd of roughly 30 people was that me and Joel were surely the youngest kids in the lot. Everyone else seemed to already have a job & far off the recently graduated path. I did feel a little sad that people my age were not in on this, have I mentioned the food?


They also, in the Q&A, mentioned a tip about creativity that also appeared on the Facebook event page. If you find yourself stuck with ideas, open a book, randomly select a word, and formulate ideas incorporating this word.




Edward Soo everybody!

Epilogue: before the event started, me and Mr. Edward had a little chat. I told him I was a graduate from the Diploma in Performing Art from Sunway Uni (no-more-college-oh), and he enthusiastically told me that if there were any artistic ideas that I have, Leonardo's can be involved in it. Let's put this in perspective, there are so many other artistes with portfolios the size of Texas, and he asked ME about coming up with events? Young people, old and new, where are you?

Sincerely,

Lee Zhi-Li

Thursday, January 6, 2011

A Giant of a Film

Dear all,


Ooh, first review, pop the champagne, I feel all fizzy inside. What causing the fizziness? The Iron Giant, an animated film.

Now, I love animated films, and technically, you can do anything that reality doesn't allow or limit. And I try not to go for just the Disney-Pixar stuff as they're not the only ones making the bang-for-your-bucks.

People, even Malaysians frightfully, will look past the stuff that ain't the in-thing (like Justin Bieber & thrashing Justin Bieber), and for animation's concern, perhaps the best Western example is The Iron Giant, making its first appearance in 1999, by Warner Brothers Animation.


Directed by the now Pixar giant, Brad Bird (who also made The Incredibles), it's set in 1957, when the U.S & Soviet Union were at loggerheads. 11-year old Hogarth Hughes (Eli Marienthal) is a lonely boy looking for a friend, and naturally discovers a 50-foot tall robot that crashes onto Earth, with a paranoid government agent bent on destroying the metal-eating behemoth.


During its time, it stood out at the very least in it covering of some very mature themes: paranoia, weapons, heroism, etc. In retrospect, the storyline does seem cheesy, but the script tells the tale with surprising contextualized subtlety and sophistication. It really was light-years what Disney did at the time.


It's thanks to the characters that everyone can relate to. The most special one of all would be the Iron Giant himself (voiced by Vin Diesel, I'm serious, Vin Diesel). The human-ness of his movement and his synthesized, yet gently booming voice really comes through and quite the highlight for the film, with expression that will make you laugh, cry, etc.





No, they did not motion capture Vin Diesel's man boobs (moobs).


F.Y.I, this was made in 1999, so it can't attempt to be ultra-realistic like today's gravy fest, and this film was known to have had a tight budget. That shouldn't deter you from its excellent animation and beautiful score. The opening scene with the roaring waves is incredibly atmospheric, and it actually does a good job of combining CGI with hand-drawn animation, especially in the climatic fight sequence, where the Iron Giant really shows what he really is, and what he becomes.


The biggest gripe I would have is the ending where things got tied up a bit too well and the main antagonist, who you can view either as overdone to the point of irritation or a representation of the ugly American. Either way, I highly recommend this film and it is available on DVD. It stands as one of the best American animated films of all time. 8/10

"I am not a gun,"

Sincerely,

Lee Zhi-Li

WELCOME TO THE BOOM TOME

Dear all,

Thank you for entering the Boom Tome and its very first post. Me and my screaming pink blog are very pleased that you are here.

Before I get to the introductions, a little reminder that I will post up some new ones very soon. The new posts may not be the most recent of topics, but the near-real-time material will come shortly after, just like my diminutive height.

This blog is a portal for me to express whatever is in my grasp, and usually it'll be done via reviews. This could mean movies, theatre, events, instruments, bla bla bla, I could go on.

Besides that, I might even post up some original material, nothing planned yet, but it could be free scripts, videos, events that I personally participate in, etc.

Very engaging, aren't I? Since you've stuck this long, I'll let you know the post that will come soon after this one.

The Review of the animated film The Iron Giant.






I am engaging you right now in real time. You're just scared to admit it.

Sincerely,

Lee Zhi-Li